Party through the Pain with Cinders Album ‘No One’s Home’
By Avery Greig, Arts Editor
• October 30, 2021
Finneas’ Debut Album ‘Optimist’ is a Vulnerable Portrait of Love That Stands on Its Own
By Lee Kedem, Arts Writer
• October 22, 2021
Big Red Machine’s ‘How Long is It Going to Last?’ is a Team Effort
By Megan Fisher, Arts Writer
• October 4, 2021
A Painfully Artistic Dissection of Wolf Alice’s ‘Blue Weekend’ and its Visual Repertoire
By Avery Greig, Arts Editor
• July 23, 2021
Review: Demi Lovato’s ‘Dancing with the Devil… The Art of Starting Over’
By Heather Graham, Assistant Copy Chief, Arts Writer
• April 21, 2021
‘Fearless (Taylor’s Version)’ Echoes Empowerment
By Heather Graham, Assistant Copy Chief, Arts Writer
• April 15, 2021
Surprise! Planned Album Drops are More Fair to Artists and Fans Alike
By Jacqueline Mumford, Managing Editor
• February 28, 2021
‘Tickets to My Downfall’ Proves Pop-Punk is Machine Gun Kelly’s Fastball
By Jacqueline Mumford, Managing Editor
• October 11, 2020
‘Everywhere at the End of Time’ Depicts the Horrors of Dementia Through Sound
By Parker Dunn, Online Managing Editor
• September 26, 2020
The Happy Fits Balance Introspection and Optimism on ‘What Could Be Better’
By Kate Button, Arts Writer, Copy Editor
• September 2, 2020
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Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony