Are the Costs of Live Theater Worth It?
By Haley Freeman, Arts Writer
• April 16, 2024
Vampire Weekend’s ‘Only God Was Above Us’ Review
By Jansen Heaton, Arts Writer
• April 11, 2024
Kid Cudi’s ‘INSANO’ Takes the Artist in a New Direction
By Ethan Blume, Arts Writer
• January 23, 2024
Sundance 2024: ‘Eno’ is a Deep but Divisive Exploration of an Artist
By Graham Jones, Arts Writer, News For U Producer
• January 21, 2024
Sabrina Carpenter’s ‘Fruitcake’: A Pleasant and Poppy Start to the Season
By Ethan Blume, Arts Writer
• December 11, 2023
What Does Fall Sound Like?
By Graham Jones, Arts Writer, News For U Producer
• November 27, 2023
‘1989 (Taylor’s Version)’ is One of the Best Albums of the Year
By Ethan Blume, Arts Writer
• October 31, 2023
Ed Sheeran’s ‘Autumn Variations’ is Stagnant and Bland
By Audrey Hall, Arts Writer
• October 6, 2023
‘Guts’ is So Teenage Girl
By Eliza Delgado, Assistant Arts Editor
• September 11, 2023
Scooter Braun Exodus: Who Owns Art?
By Edie Raines, Copy Editor
• September 6, 2023
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues