Why Netflix Series ‘Dahmer’ is Making Headlines
By Eliza Delgado, Assistant Arts Editor
• November 1, 2022
I Watched Netflix’s Adaptation of ‘Persuasion’ So You Don’t Have To
By Megan Fisher, Arts Writer
• July 29, 2022
Lien: Pride Has Become a Corporate Sell-Out
By Kayla Lien, Opinion Writer
• June 11, 2022
Gangster Drama ‘The Outfit’ Needed a Bit More Tailoring
By Megan Fisher, Arts Writer
• April 23, 2022
‘Inside Job’ is Self-Aware but Cool About It
By Tervela Georgieva, Arts Writer
• December 7, 2021
‘Midnight Mass’ Redefines Horror with Strange Grace
By Whit Fuller, Arts Writer
• November 27, 2021
‘Chilling Adventures of Sabrina’ Provides Hope for Transgender Representation
By Whit Fuller, Arts Writer
• November 16, 2021
Alexander: Dave Chappelle’s ‘The Closer’ Highlights Netflix’s LGBTQ+ Tokenism
By CJ Alexander, Special Projects Managing Editor
• November 4, 2021
‘Manifest’ Shares Its Magic with Fans through a Surprise Season Four
By Lee Kedem, Arts Writer
• October 5, 2021
‘He’s All That’ Full of Bad Cliches, but Turns Old Stereotypes on their Heads
By Heather Graham, Assistant Copy Chief, Arts Writer
• September 7, 2021
Write for Us
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues