The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

Still from The Amazing Maurice.

Sundance 2023: ‘The Amazing Maurice’: A Cat and Rat Caper

By Andre Montoya, Arts Writer January 29, 2023

  From Page To Screen Based on the book “The Amazing Maurice and his Educated Rodents” by Terry Pratchett and partially inspired by the Grimm Brothers’ fairy tale of the “Pied Piper,”...

(Graphic by Claire Peterson | The Daily Utah Chronicle)

U of U Health Inspires with Sundance Documentary ‘Meet Me Where I Am’

By Lucas Welk, Arts Writer April 20, 2022

  It is natural these days to be exceptionally skeptical of so-called inspiring news stories. What a media outlet may portray as a positive, uplifting feature can actually look quite grim upon...

Lucy & Desi, directed by Amy Poehler, premieres at the Sundance Film Festival 2022. (Courtesy Sundance Institute)

Sundance: In ‘Lucy & Desi,’ Poehler Proves That ‘I Love Lucy’ Was Never Just a Title

By Makena Reynolds, Arts Writer January 30, 2022

  The documentary about Lucille Ball and Desi Arnaz's relationship "Lucy & Desi" made its debut at the Sundance Film Festival on Saturday, Jan. 22. Directed by Amy Poehler with guidance from...

Spencer X in a Still from TikTok, Boom. (Courtesy Sundance Institute)

Sundance: ‘TikTok, Boom’ Bites off More Than It Can Chew

By Hannah Keating, Arts Editor January 29, 2022

  In “TikTok, Boom.” director Shalini Kantayya attempts to explore the massive impact Chinese social media app TikTok has had on the “the zeitgeist of the U.S.” and beyond in its rapid...

The Panola Project (Courtesy PMG)

Sundance: Directors of Short Film ‘The Panola Project’ on Highlighting Community Activist Dorothy Oliver

By Hannah Keating, Arts Editor January 27, 2022

  In August 2021, The New Yorker published “An Alabama Woman’s Neighborly Vaccination Campaign” featuring short documentary “The Panola Project,” which follows Dorothy Oliver’s efforts...

Nina Menkes in a Still from Brainwashed: Sex-Camera-Power. (Courtesy Sundance Institute).

Sundance: ‘Brainwashed: Sex-Camera-Power’ Dissects Cinematography’s Impact on Female Empowerment

By Hannah Keating, Arts Editor January 25, 2022

  In "Brainwashed: Sex-Camera-Power," filmmaker Nina Menkes takes the content of her talk "Sex and Power: The Visual Language of Cinema" and translates it to documentary, compiling clips from...

Karen Gillan in Dual. 
(Courtesy of Sundance.org)

Sundance: ‘Dual’ Fascinates with Darkness and Obscurity

By Luke Jackson January 23, 2022

  Riley Stearns has proven a unique and interesting addition to the world of off-kilter indie cinema. While I have only seen two of his three feature films, Stearns' distinctive style oozes through...

Daryl McCormack and Emma Thompson in Good Luck to You, Leo Grande. (Courtesy Sundance Institute)

Sundance: ‘Good Luck to You, Leo Grande’ Sparks Discussion about De-stigmatizing Female Pleasure

By Makena Reynolds, Arts Writer January 23, 2022

  The intimate comedy “Good Luck to You, Leo Grande” starring Emma Thompson and Daryl McCormack premiered at Sundance Film Festival on Friday, Jan. 22. Directed by Sophie Hyde with a script...

Christine Choy in a Still from the Sundance 2022 Premiere of The Exiles. (Courtesy Sundance Institute)

Sundance: Premiere of ‘The Exiles’ Offers New Look at Tiananmen Square Massacre and Aftermath

By Frank Gardner, Assistant Arts Editor January 23, 2022

  Thirty years after the horrific massacre of pro-democracy demonstrators at Tiananmen Square on June 4, 1989, legendary documentarian Christine Choy brings to light an unfinished project documenting...

Colin Farrell in After Yang (Courtesy Sundance.org)

Sundance: ‘After Yang’ is a Refreshing and Beautiful Addition to the Science Fiction Catalogue

By Luke Jackson January 22, 2022

  When any piece of cinema brands itself with the daunting label of science fiction, certain expectations are involuntarily assigned. As an audience, we have become so accustomed to killer robots...