The San Fernando Valley of the 1970s is on Display in ‘Licorice Pizza’
By Megan Fisher, Arts Writer
| December 31, 2021
‘Bergman Island’ is a Lovely Tale of the Divide Between Life and Art
By Megan Fisher, Arts Writer
| December 15, 2021
Jane Campion’s ‘The Power of the Dog’ is a Muted Study of Masculinity and Psychological Warfare
By Megan Fisher, Arts Writer
| December 15, 2021
Nostalgia Will Kill You in ‘Last Night in Soho’
By Megan Fisher, Arts Writer
| November 20, 2021
2007 Nobel Prize Recipient Mario Capecchi on 2021 Award in Same Field
By Nathan Levinzon, News Writer
| November 17, 2021
‘No Time to Die’ is a Fitting, Touching Goodbye for Daniel Craig
By Megan Fisher, Arts Writer
| October 18, 2021
Big Red Machine’s ‘How Long is It Going to Last?’ is a Team Effort
By Megan Fisher, Arts Writer
| October 4, 2021
Villain in ‘Shang-Chi’ Steals the Show
By Megan Fisher, Arts Writer
| September 17, 2021
‘Candyman’ is Summoned, but Drowns in its Ambition
By Megan Fisher, Arts Writer
| September 7, 2021
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