On Feb. 7, the University of Utah unveiled the “LOVE” sculpture to a reception of donors, including the Eccles and Price families.
“This piece of art is especially special to all of us, because it really encapsulates what our state and community and university for generations has been about,” Lisa Eccles said. “And it’s about caring for each other and lifting each other.”
Sculpture
The statue is located next to the Utah Museum of Fine Arts (UMFA), having been moved from its previous location on 6th Avenue and 55th Street in New York City. “For some 20 years, many of us in this room have probably had our pictures taken in New York in front of that very same sculpture,” Gretchen Dietrich, the Executive Director of the Museum of Fine Arts, said. “It is truly thrilling that the acquisition of this amazing artwork has come to fruition. Now it is a highlight of the UMFA permanent collection.”
The artwork cost $4.5 million, with roughly half the money coming from the state of Utah. The other half came from private donors. “The State of Utah does put a high premium on art, and spends a little bit of every construction project we have on public art,” President Taylor Randall said.
Robert Indiana originally designed the sculpture “LOVE” (red outside, blue inside) in 1970. The U acquired one of the nine 12ft by 12 ft by 6ft statues in the world. “Adapted to a best selling US postal stamp, it became one of the most beloved pop art images across art, design and popular culture,” Dietrich said. “I have no doubt that this work of art will become a much loved landmark and touchstone for our campus and broader community.”
LOVE
Randall said that the reasoning behind acquiring the statue was to “fundamentally inspire students.”
“We bring students to this university to fundamentally inspire, and we try to inspire their intellect,” Randall said. “But we also try to teach them about emotion and how emotion moves society. It is the role of this institution to create positive change, and so to have a statute that screams love in the midst of often chaos, competition and argument, I think, is what puts our priority, both as a society and as an institution, into perspective.”
Dietrich said that she hoped that the sculpture would encourage students into a “sense of quest and daring, and growth.”
“The great American author James Baldwin wrote and thought a lot about love,” she said. “In 1963, he wrote in his book ‘The Fire Next Time’: ‘I use the word love, not merely in a personal sense, but as a state of being or a state of grace, not in the infantile American sense of being made happy, but in the tough and universal sense of quest and daring and growth,'” she said. “I hope we all agree that one’s experience in university should be just that, a time of quest and daring and growth. I’d like to think we collectively aim to support students to achieve that as they encounter great works of art.”

Brynne | Feb 13, 2026 at 11:59 am
Can someone help me understand why the University has $2.25 million for art that looks like it’s from TJ Maxx but continues to raise tuition, raise parking rates, cut entire departments, and stagnate staff pay?
Nick | Feb 11, 2026 at 1:26 pm
Two words: money laundering
Tom | Feb 12, 2026 at 12:18 am
If not money laundering than sheer stupidity to pay $4.5 million dollars for something my fifth grader came up with at last years art show.
John Hedberg | Feb 10, 2026 at 9:58 am
LOVE can mean anything.
‘Agape’ (Ancient Greek) pretty much encompasses that higher parental love of the Bible in which a person desires the present & future well-being of another to such an extent that they’re willing to sacrifice their feelings, their holdings, and even their life so that those they love will thrive and continue to prosper (as Jesus did, and as soldiers have done to free good people they never met and never would throughout centuries of Judeo-Christian war to outgrow a pre-adolescent world in which conquest, slavery, & oppression were the universal norm across all history on every continent, no exceptions).
It’s this ‘Agape’ love which forms the basis of all international civil & human (individual) rights today, since it looks at every person as an equally beloved child of a wonderfully Good Father in Heaven who sees all our fallibilities & fumbles simply as phases we grow through, into all the beauty & wonder instilled into each one of us, all created deliberately diverse, all equally regarded with great worth, cherished whether we’re the 2-year old in diapers or the 12-year old stumbling over syntax, emotional proportion, or basic equations in logic (simple competencies).
All of us are children to God, none ranked above each other, since a Good Father sees all our enormous potential above & beyond our present positions across the continuum of childhood, and a century is a sneeze, next to eternity (we never outgrow childhood in this life).
So, “LOVE” is already represented across civilization in churches, synagogues, and other places of worship that share these parental values which see us all as part of a single human tribe, a family, and it’s in learning to see ourselves and each other as brothers & sisters in this light, with this greater ‘Agape’ love, that we discover the only true safe space life provides in a cascading universe, which is a light & love we carry around inside us that overcomes all suffering & all of life’s inherent yet momentary oppressions, growing pains we all share equally as part of our human experience, along with the errors we make along the way (ouch!☺️💛).
This necessary suffering inherent to growth and development is what necessitates grace. We’re all goofing constantly, whether we see it in the moment or not, so the ability to share the bonds of our human identity through forgiveness, humility, and laughter are essentials on the road to all the beautiful outcomes which genuine love seeks for each one of us, both sooner and later. ✝️🦉✡️