The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

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(Chronicle Design Archives)

Bringhurst: Utah Lawmakers Should Prioritize Teachers in High Poverty Schools

By Maggie Bringhurst, Opinion Writer February 20, 2022

  The Effective Teachers in High Poverty Schools Incentive Program was first passed in 2017 and aimed to recruit and retain qualified teachers at schools in high poverty areas with a salary bonus....

(Graphic by Claire Peterson | The Daily Utah Chronicle)

Hibben: Parents’ Opinions Don’t Belong In Public Education

By Aya Hibben, Opinion Writer February 20, 2022

  For years, many have advocated for parents to have more control over course content in public schools. From Critical Race Theory to sexual education, many parents have argued that they should...

Salt Lake Citys Urban Flea Market

Salt Lake City’s Urban Flea Market

By India Bown, Arts Writer February 20, 2022

  The Urban Flea Market brings on the best combination of sustainable shopping and style, making it the perfect meeting ground for young fashion gurus in Salt Lake City. Sustainable Fashion in...

Reflections While Living in Utah cover art (Photo Courtesy L. Flores via Amazon.com)

Local Poet L. Flores’ ‘Reflections While Living in Utah’ is A Queer Spiritual Homecoming

By Whit Fuller, Arts Writer February 20, 2022

  Local poet and educator L. Flores' debut poetry chapbook “Reflections While Living in Utah” explores the reconciliation of religious and queer identities. Their collection comes at a poignant...

(Graphic by Storey McDonald | The Daily Utah Chronicle)

Buening: The Castello Cube Embodies Rich Privilege

By Sarah Buening, Assistant Opinion Editor February 20, 2022

  On Wednesday, Feb. 2, a $11.7 million, 410-pound, 24-carat gold cube sat guarded within New York City’s Central Park. The installation, titled “The Castello Cube” by Niclas Castello, made...

(Graphic by Claire Peterson | The Daily Utah Chronicle)

Linnabary: Yes, the Governor Needs a Fence

By Ian Linnabary, Opinion Writer February 19, 2022

  We have all probably seen depictions of the Secret Service, the president's personal bodyguards, in media — men in black suits and sunglasses with blank expressions. While performing other...

(Graphic by Emily Christensen | The Daily Utah Chronicle)

Shadley: There’s No Substitute for Public Education

By Will Shadley, Opinion Writer February 19, 2022

  More teachers calling in sick due to the Omicron variant has depleted an already understaffed education system. On Jan. 31, Gov. Spencer Cox issued an executive order allowing state employees...

Cristal Isa performs on the balance beam in a dual meet vs. The University of Kentucky at the Jon M. Huntsman Center in Salt Lake City, Utah on Friday, Jan. 3, 2020.  (Photo by Kiffer Creveling | The Daily Utah Chronicle)

No. 4 Utah Gymnastics Surpasses the 198-Mark as they Top Oregon State

By Chase Mullin, Assistant Sports Editor February 19, 2022

  After a relatively shocking first loss of the season last week, albeit to an highly-talented UC Berkeley squad, the No. 4 University of Utah gymnastics team bounced back this Friday at the Huntsman...

Latoya Cameron and Cameron Beck in The Clean-Up Project premiering at Plan-B Theatre (Photo Credit Sharah Meservy)

Plan-B Theatre’s Premiere of ‘The Clean-Up Project’ is a Shocking Conversation about Race

By Hannah Keating, Arts Editor February 17, 2022

  In the world premiere of Carleton Bluford’s “The Clean-Up Project,” Plan-B Theatre opens their 2022 season during Black History Month with a glaring and intimate look at racism in an America...

Greg Larsen (R) Corrine Adair (L) in One For The Pot (Photo courtesy of Hale Centre Theatre, photographed by Leavitt Photography)

Hale Centre Theatre’s ‘One For The Pot’ Will Have You Doubled Over in Laughter

By Evan K. Beesley, Arts Writer February 17, 2022

  "One For The Pot" written by authors Ray Cooney and Tony Hilton first ran on London's West End in 1961 for an astounding 1,200 performances to rave reviews. With an astounding provenance like...