Arts
Claire Saffitz’s ‘Dessert Person’ is the Cheerleader of Cookbooks
By Jacqueline Mumford, Managing Editor
• November 2, 2020
Election Night 2020: How to Watch and Livestream
By Oakley Burt, Arts Editor
• November 1, 2020
Pygmalion Productions Presents Catherine Filloux’s ‘White Savior’
By Parker Dunn, Online Managing Editor
• October 29, 2020
‘Separating the Art from the Artist’ Is Just Another Way to Continue Supporting Abusers
By Jacqueline Mumford, Managing Editor
• October 28, 2020
The Chronicle Playlist: Falling Leaves and Changing Music
By Kate Button, Arts Writer, Copy Editor
• October 23, 2020
‘The Trial of the Chicago 7’ Is Aaron Sorkin’s Idealistic Take on the 1968 Case
By Jacqueline Mumford, Managing Editor
• October 20, 2020
Pandemic Continues to Postpone Tentpole Films, Suppressing Revenues
By Cade Anderson, Arts Writer
• October 19, 2020
Max Brooks’ ‘Devolution’ Depicts Human Nature Through Sasquatch and Volcanoes
By Zoe Gottlieb, Arts Writer
• October 19, 2020
‘Boys State’ Embraces Modern Politics and Creates Bridges to Bipartisanship
By Kate Button, Arts Writer, Copy Editor
• October 19, 2020
Inside the Presidential Portraits: From Washington to Obama
By Oakley Burt, Arts Editor
• October 18, 2020
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony