Arts
Sundance 2024: ‘I Saw the TV Glow’ Review
By Haley Freeman, Arts Writer
• January 24, 2024
Nathan Fielder’s ‘The Curse’ Breaks the Boundaries of Television
By Graham Jones, Assistant Arts Editor
• January 23, 2024
Sundance 2024: Women in Film Discuss Their Perspectives on the Industry
By Josi Hinds, News Editor
• January 23, 2024
Sundance 2024: ‘Your Monster’: Female Rage and Furry Love
By Andre Montoya, Arts Writer
• January 23, 2024
Kid Cudi’s ‘INSANO’ Takes the Artist in a New Direction
By Ethan Blume, Arts Writer
• January 23, 2024
Sundance 2024: ‘Freaky Tales’ is an Ambitious Swing and a Miss
By Graham Jones, Assistant Arts Editor
• January 22, 2024
Sundance 2024: ‘Sujo’: Growing Up in Drug Wars
By Eliza Delgado, Arts Editor
• January 21, 2024
Sundance 2024: ‘Eno’ is a Deep but Divisive Exploration of an Artist
By Graham Jones, Assistant Arts Editor
• January 21, 2024
The Emmys 2024: Diverse Wins, Homogenous Choices
By Andre Montoya, Arts Writer
• January 18, 2024
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony