Arts
SLAMDANCE: Kit Zauhar’s ‘Actual People’ Reveals Vulnerable Truth
By Lee Kedem, Arts Writer
• February 17, 2022
Connecting the Body and Land in Finch Lane Gallery’s Latest Exhibition
By Drew Reynolds, Arts Writer
• February 17, 2022
Pygmalion Theatre Company’s ‘Bella Bella’ Strikes a Deep Chord Today
By Tervela Georgieva, Arts Writer
• February 15, 2022
Ballet West’s ‘Romeo and Juliet’ a Painting Brought to Life
By Megan Fisher, Arts Writer
• February 15, 2022
Utah Premiere of ‘Egress’ at Salt Lake Acting Company Explores Safety, Anxiety and Exhaustion
By Hannah Keating, Arts Editor
• February 12, 2022
Slamdance: ‘Ferroequinology’ Reimagines the Locomotive Chase
By Nicoline West, Arts Writer
• February 9, 2022
Slamdance: Eerie, Visually and Emotionally Dynamic, ‘The Severing’ Delivers Unavoidable Intensity
By Tervela Georgieva, Arts Writer
• February 9, 2022
SLAMDANCE: ‘Snow White Dies at the End’ Gets Lost in Translation
By Drew Reynolds, Arts Writer
• February 9, 2022
Director Nicholas Bruckman, Healthcare Activist Ady Barkan a Dream Team in ‘Not Going Quietly’
By Whit Fuller, Arts Writer
• February 9, 2022
Slamdance: ‘Yelling Fire in An Empty Theater’ a Funny, Chaotic Take on Life in New York City
By Whit Fuller, Arts Writer
• February 5, 2022
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony