Arts
Mark H. Dold on the ‘Eerie Parallels’ from the Premiere of Talbott’s ‘The Messenger’ at Pioneer Theatre Company
By Lee Kedem, Arts Writer
• January 15, 2022
Professor and Poet Laureate Paisley Rekdal on the Personal and Narrative Scope of Poetry
By Whit Fuller, Arts Writer
• January 15, 2022
‘Nightmare Alley’ is a Wonderfully Dark Reminder that Everyone is Horrible
By Luke Jackson
• January 12, 2022
‘Land Body’ at OCA: An Exploration of the Female Body and Landscape
By Drew Reynolds, Arts Writer
• January 11, 2022
National Geographic’s ‘Torn’ Documents a Family’s Loss and Explores Their Recovery
By Hannah Keating, Arts Editor
• January 9, 2022
Queer Representation in Holiday Films Isn’t Quite Enough
By Whit Fuller, Arts Writer
• January 9, 2022
‘Under The Umbrella’ is a Local Queer Bookstore Providing Community
By Whit Fuller, Arts Writer
• January 9, 2022
Meet the Choreographer: Stefanie Batten Bland’s ‘Look Who’s Coming To Dinner’
By Tervela Georgieva, Arts Writer
• January 8, 2022
The San Fernando Valley of the 1970s is on Display in ‘Licorice Pizza’
By Megan Fisher, Arts Writer
• December 31, 2021
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony