‘The Menu’: A Grotesquely Gorgeous Gastronomic Thriller
By Audrey Hall, Arts Writer
• November 27, 2022
‘Pearl’: Mia Goth Shines in Bloody Technicolor
By Heather Hopkins
• September 28, 2022
Jordan Peele’s ‘Nope’ Makes You Look Up
By Megan Fisher, Arts Writer
• August 5, 2022
‘Crimes of the Future:’ David Cronenberg’s Alarming Return to Body Horror
By Megan Fisher, Arts Writer
• June 29, 2022
Alex Garland’s Folk Horror ‘Men’ Trips in the Woods
By Megan Fisher, Arts Writer
• June 15, 2022
Meeting in the Middle: The Creators of ‘Liminal’ Discuss Collaboration on the Theatrical Thriller
By Makena Reynolds, Arts Writer
• May 3, 2022
‘Scream’ Delivers the Same Self-Aware Scares as the Original
By Megan Fisher, Arts Writer
• January 23, 2022
Sundance: ‘Master’ Premiere Demonstrates the Pitfalls of Elevated Horror
By Megan Fisher, Arts Writer
• January 22, 2022
Nostalgia Will Kill You in ‘Last Night in Soho’
By Megan Fisher, Arts Writer
• November 20, 2021
‘Candyman’ is Summoned, but Drowns in its Ambition
By Megan Fisher, Arts Writer
• September 7, 2021
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony