The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony
Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony

That shaky sound

EarlimartTreble and TremblePalm Pictures

Four out of five stars

Morphing from Pixies-inspired post-punks to mellow-hearted indie rockers may seem like a tragedy in the making, but in the case of Earlimart, the transformation couldn’t have been more perfect.

Treble & Tremble, the band’s latest lament, finds Earlimart mastermind Aaron Espinoza not only charting new territories of serene melody, but also valleys of emotional catharsis in which Espinoza found himself after the recent loss of friend and sonic consort, Elliott Smith.

Properly burying Smith’s undeniable influence beneath rich layers of lo-fi acoustics and somber piano swells, Espinoza births a prodigy in the wake of a tragic legend.

Reaching deep into the pockets of indie rock’s lo-fidelity jeans, the piano-string duet “Hold On, Slow Down” introduces the world to Treble & Tremble’s melodic, emotional sincerity. Espinoza’s crooning at times is explicitly directed at Smith and his lasting influence: “I miss you my friend/ Will I see your face again?/ And will you be smiling then?”

Such heartfelt ponderings set to a backdrop of atmospheric strings and so-simple-it’s-simply-perfect piano work make it clear that Treble & Tremble is more than the average, blandie-folk etude. The distorted guitar work of “Sounds” hearkens back to the band’s humble origins, but quickly fades into an ethereal soundscape of acoustic tendencies and pallid pianos.

Earlimart’s acoustic palate is complimented by drifting piano drones and a delayed guitar aura, typified by the future high school classic “All They Ever Do is Talk,” an epic hell bent on maintaining its honest humility.

The mechanically melodic “Unintentional Tape Manipulations” steps out of line with its, well, seemingly unintentional tape manipulations, and takes up rank with experimental indie compatriots Grandaddy. Too good to be coincidence, Grandaddy’s Jim Fairchild assumes Treble & Tremble’s production credit alongside Espinoza and while it shows, it does not overpower Treble’s sonic purity.

Elliott Smith’s lasting spirit and Grandaddy’s illuminating insight shine bright in Treble & Tremble’s glossy sheen. But instead of distracting attention away from Earlimart’s latest offering, these characteristics help breath life into Espinoza’s glorious vision. Treble & Tremble is not simply a dedication to a fallen great, but the embodiment of his legacy in rock’s future.

Dan Fletcher

Leave a Comment

Comments (0)

The Daily Utah Chronicle welcomes comments from our community. However, the Daily Utah Chronicle reserves the right to accept or deny user comments. A comment may be denied or removed if any of its content meets one or more of the following criteria: obscenity, profanity, racism, sexism, or hateful content; threats or encouragement of violent or illegal behavior; excessively long, off-topic or repetitive content; the use of threatening language or personal attacks against Chronicle members; posts violating copyright or trademark law; and advertisement or promotion of products, services, entities or individuals. Users who habitually post comments that must be removed may be blocked from commenting. In the case of duplicate or near-identical comments by the same user, only the first submission will be accepted. This includes comments posted across multiple articles. You can read more about our comment policy here.
All The Daily Utah Chronicle Picks Reader Picks Sort: Newest

Your email address will not be published. Required fields are marked *