Imagine this scenario: You’ve just been listening to some “sick” Germanic polyphony brought to you by modern composer Gustav Mahler, and as you leave the symphony amidst a roar of applause, you realize that you are now a veteran of a phenomenon whose symptoms include heart palpitations, adrenaline surges and wide eyes.
In scientific terms, you have been Mahlered: the complex set of emotions that bombards symphony-goers after listening to a Mahler symphony.
Mahler is epic and very different from ordinary composers. His music is complex, intricate and constantly shifting. One might say it has depth; it doesn’t stay in one particular place or mode too long.
Mahler likes to surprise-he goes from pounding rhythms exuberant with joy to the downtrodden sighs of his ominous horns.
The Mahler symphonies are brass and horn oriented, and the Utah Symphony has a very solid brass section. Not only that, but they know Mahler’s work well-and the fifth symphony is a bit rare. Therefore, one has too many fantastic reasons to deny his charm. It’s a rare treat, a great symphony and a unique composer. Plus, the track record of the Utah Symphony backs what promises to be an incredible experience.
So, spoil yourself this weekend-get Mahlered.