Pygmalion Productions Presents Catherine Filloux’s ‘White Savior’

By Parker Dunn, Assistant Arts Editor
• October 29, 2020
‘Separating the Art from the Artist’ Is Just Another Way to Continue Supporting Abusers

By Jacqueline Mumford, Managing Editor
• October 28, 2020
The Chronicle Playlist: Falling Leaves and Changing Music

By Kate Button, Arts Writer, Copy Editor
• October 23, 2020
‘The Trial of the Chicago 7’ Is Aaron Sorkin’s Idealistic Take on the 1968 Case

By Jacqueline Mumford, Managing Editor
• October 20, 2020
Pandemic Continues to Postpone Tentpole Films, Suppressing Revenues

By Cade Anderson, Arts Writer
• October 19, 2020
Max Brooks’ ‘Devolution’ Depicts Human Nature Through Sasquatch and Volcanoes

By Zoe Gottlieb, Arts Writer
• October 19, 2020
‘Boys State’ Embraces Modern Politics and Creates Bridges to Bipartisanship

By Kate Button, Arts Writer, Copy Editor
• October 19, 2020
Inside the Presidential Portraits: From Washington to Obama
By Oakley Burt, Arts Editor
• October 18, 2020
To Binge or Not to Binge Episode 83: ‘Middleditch and Schwartz’

By Hannah Keating, Arts Writer
• October 17, 2020
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