TV
Nathan Fielder’s ‘The Curse’ Breaks the Boundaries of Television
By Graham Jones, Assistant Arts Editor
• January 23, 2024
The Emmys 2024: Diverse Wins, Homogenous Choices
By Andre Montoya, Arts Writer
• January 18, 2024
Who’s the Best? A Streaming Service Showdown
By Ethan Blume, Arts Writer
• January 17, 2024
The 2024 Golden Globes: Great Speeches, Bad Jokes
By Graham Jones, Assistant Arts Editor
• January 9, 2024
Letting Women Be Women in Entertainment
By Haley Freeman, Arts Writer
• December 22, 2023
December Arts Desk Recommendations
By Luke Jackson, Eliza Delgado, Graham Jones, Haley Freeman, and Ethan Blume
• December 1, 2023
‘Scott Pilgrim Takes Off’ is Headed in the Right Direction
By Ethan Blume, Arts Writer
• November 21, 2023
‘Invincible’ Season 2 Adds to One of the Greatest Superhero Stories
By Ethan Blume, Arts Writer
• November 7, 2023
November Arts Desk Recommendations
By Luke Jackson, Eliza Delgado, Josi Hinds, Grier Abercrombie, Graham Jones, Audrey Hall, Arlo Marler, Ethan Blume, and Andre Montoya
• November 1, 2023
‘The Fall of the House of Usher’: Mike Flanagan’s Swan Song
By Andre Montoya, Arts Writer
• October 19, 2023
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony