Film
Oscars 2022: Best Picture Nominations Ranked From Worst to Best
By Lucas Welk, Arts Writer
• March 3, 2022
Queer Tragedy: ‘Happy Never Afters’ in Film Media
By Avery Greig, Arts Editor
• February 26, 2022
Review: Surprise Hit ‘Drive My Car’ Makes Oscar History
By Lucas Welk, Arts Writer
• February 24, 2022
SLAMDANCE: Kit Zauhar’s ‘Actual People’ Reveals Vulnerable Truth
By Lee Kedem, Arts Writer
• February 17, 2022
Slamdance: ‘Ferroequinology’ Reimagines the Locomotive Chase
By Nicoline West, Arts Writer
• February 9, 2022
Slamdance: Eerie, Visually and Emotionally Dynamic, ‘The Severing’ Delivers Unavoidable Intensity
By Tervela Georgieva, Arts Writer
• February 9, 2022
SLAMDANCE: ‘Snow White Dies at the End’ Gets Lost in Translation
By Drew Reynolds, Arts Writer
• February 9, 2022
Director Nicholas Bruckman, Healthcare Activist Ady Barkan a Dream Team in ‘Not Going Quietly’
By Whit Fuller, Arts Writer
• February 9, 2022
Slamdance: ‘Yelling Fire in An Empty Theater’ a Funny, Chaotic Take on Life in New York City
By Whit Fuller, Arts Writer
• February 5, 2022
‘Spider-Man: No Way Home’ Is an Innovative Superhero Film
By Whit Fuller, Arts Writer
• February 4, 2022
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony