Film
Sundance: ‘Emily the Criminal’
By Hannah Keating, Arts Editor
• January 30, 2022
Sundance: In ‘Lucy & Desi,’ Poehler Proves That ‘I Love Lucy’ Was Never Just a Title
By Makena Reynolds, Arts Writer
• January 30, 2022
Sundance: Raiff’s ‘Cha Cha Real Smooth’ Shines, Wins Audience Award
By Hannah Keating, Arts Editor
• January 29, 2022
Sundance: Bright, Predictable and Unabashedly Girly, ‘Girl Picture’ is a Portrait of Female Sexuality
By Megan Fisher, Arts Writer
• January 29, 2022
Sundance: ‘TikTok, Boom’ Bites off More Than It Can Chew
By Hannah Keating, Arts Editor
• January 29, 2022
Sundance: Directors of Short Film ‘The Panola Project’ on Highlighting Community Activist Dorothy Oliver
By Hannah Keating, Arts Editor
• January 27, 2022
Sundance: ‘Nothing Compares’ Misses the Mark
By Frank Gardner, Assistant Arts Editor
• January 27, 2022
The Show Must Go On: Entertainment Careers Through COVID
By Luke Jackson
• January 27, 2022
Sundance: ‘Brainwashed: Sex-Camera-Power’ Dissects Cinematography’s Impact on Female Empowerment
By Hannah Keating, Arts Editor
• January 25, 2022
Sundance: ‘Jeen-Yuhs’ is a Kanye Documentary for the Super-Fans
By Luke Jackson
• January 25, 2022
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Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony