The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

The University of Utah's Independent Student Voice

The Daily Utah Chronicle

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University Choirs Perform with Seven High School Choirs

Choirs from the U perform with various high school choirs from Utah. courtesy University of Utah Choirs


The University of Utah’s Choral Area of the School of Music presented a concert on Friday, March 22 at the Salt Lake Tabernacle. The school collaborated with various high schools across the state for a night of beautiful acoustics. Each school prepared a song individually and then came together for a final piece.

After rushing in from the evening drizzle, the audience filled up the rows in the Tabernacle. The U Chamber Choir, led by Barlow Bradford, opened up the concert with a rendition of “O Salutaris Hostia,” which translates to “O Saving Victim.” Whereas the opening prayer reverberated in the egg-like building, the music from the group filled the space without a noticeable echo. The soloists, Lexie Davis and Mikaela Holbrook, wove their higher vocal registers together, creating a richly textured first piece for the concert.

Following their performance, the Chamber Choir members moved from the front of the stage to the rows in front of the organ. Conducted by Leslie Walker, the Springville High School’s Chamber Singers performed next, singing “J’entends le Moulin,” arranged by Donald Patriquin. Using unexpected sounds with their mouths and clapping, the group transformed the captivating spiritual setting into one of engrossing urgency and excitement.

Every subsequent high school introduced a unique style, adding variety to the concert. Westlake High School Madrigals, conducted by Maureen Hatch, performed the slow, moving Gwyneth Walker arranged piece “When Jesus Wept” while the Alta High School Madrigals, conducted by April Iund, performed “O Captain! My Captain,” a comparatively fast piece. 

Syracuse High School Madrigals, conducted by Nathan Egan, performed a much older piece by Palestrina, composed during the 1500s, using word painting to perform “Sicut Cervus.” Next, American Heritage School Chamber Choir, led by Rob Swenson, performed Coreen Duffy’s “Adon Olam.” Traveling all the way from St. George and conducted by Robert Reimer, Pine View High School Trilogy performed “Hentakan Jiwa.” Juab High School Madrigals, conducted by Tana Esplin, performed the intense piece “Great God Almighty.” Maple Mountain High School Chamber Singers, as the last high school group and conducted by Braden Rymer, performed “Call of Wisdom.” 

The U’s A Cappella Choir possibly had the most surprising performance. Midway through their piece, “Nyon Nyon,” they broke into dance. Although staying in their individual places, the dance was practically freestyle, each member letting loose and having fun. The audience was caught completely off guard and couldn’t help but laugh, especially after an evening of such serious performances. 

courtesy University of Utah Choirs

The final piece was a requiem titled “Lux Aeterna,” and was broken into five movements. At this point, each group had been situated in front of the organ pipes, noticeably representing their school by their dress. A full orchestra was incorporated for the piece, initially trading the melody back and forth with the vocalists. Eventually, though, both the orchestra and the vocalists added to the composition simultaneously, with the piece becoming increasingly engaging and complex. 

The concert brought variety and talent from across the state, inspiring a standing ovation and a very satisfied audience.

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About the Contributor
Alison Myers, Arts Writer
Alison Myers is an arts writer.

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