‘How it Ends’ Brings Joy and Optimism to the Apocalypse
By Kate Button, Arts Writer, Copy Editor
• January 31, 2021
Jimmy Eat World Finds New Ways to Engage Fans with ‘Phoenix Sessions’
By Heather Graham, Assistant Copy Chief, Arts Writer
• January 31, 2021
Surrealism and the Power of Human Connection in ‘Strawberry Mansion’
By Kate Button, Arts Writer, Copy Editor
• January 30, 2021
‘Summer of Soul’ Records a Forgotten Festival and Celebrates a Revolutionary Era
By Kate Button, Arts Writer, Copy Editor
• January 29, 2021
The U and SLC Prepare for Another Season of Unorthodox Arts
By Parker Dunn, Online Managing Editor
• January 26, 2021
To Binge or Not to Binge Episode 84: ‘Interrogation’
By Kate Button, Arts Writer, Copy Editor
• November 27, 2020
U Theatre Thrives with Virtual Production of “The Night Witches”
By Kate Button, Arts Writer, Copy Editor
• November 21, 2020
The Inexorable Link Between the Arts and Surviving a Pandemic
By Kate Button, Arts Writer, Copy Editor
• November 11, 2020
The Chronicle Playlist: Falling Leaves and Changing Music
By Kate Button, Arts Writer, Copy Editor
• October 23, 2020
Max Brooks’ ‘Devolution’ Depicts Human Nature Through Sasquatch and Volcanoes
By Zoe Gottlieb, Arts Writer
• October 19, 2020
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Print Issues
Write for Us
Want your voice to be heard? Submit a letter to the editor, send us an op-ed pitch or check out our open positions for the chance to be published by the Daily Utah Chronicle.
@TheChrony